Selasa, 29 September 2015

~ Free Ebook Miss Mapp, by E.F. Benson

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Miss Mapp, by E.F. Benson

E.F. Benson (1867-1940) was an English writer best known for the classic Mapp and Lucia novels. This edition of Benson’s Miss Mapp includes a table of contents.

  • Sales Rank: #1474071 in eBooks
  • Published on: 2015-02-02
  • Released on: 2015-02-02
  • Format: Kindle eBook

About the Author
E. F. Benson was an English novelist, biographer, memoirist, archaeologist and short story writer.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Mapp Redux
By Terrie A. Miller
I discovered the Mapp and Lucia books about 20 years ago and find that after all those years I still enjoy them. They offer escape from the stresses of the 21st Century, but are not some frothy neverland fantasy world. The social satire is still apt and the language is well-crafted, delighting me with humor and insight.

0 of 0 people found the following review helpful.
Poor Quality Kindle edition
By J M McLeod-Henry
I don't like the quality of the Kindle edition. The could not alter the line spacing between paragraphs is far too wide making for an unpleasant reading experience. After reading Queen Lucia, I was looking forward to reading this but now will just delete it.

0 of 0 people found the following review helpful.
Terrible formatting makes enjoyable reading impossible
By Jan Kapoor
The one star is not for the book itself, but for the execrable formatting! This edition is impossible to read with any enjoyment. I am now reading another edition.

See all 4 customer reviews...

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Minggu, 27 September 2015

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Wired Love: A Romance of Dots and Dashes, by Ella Cheever Thayer

“The old, old story,”—in a new, new way.

  • Sales Rank: #1094387 in Books
  • Published on: 2015-02-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .35" w x 5.00" l, .35 pounds
  • Binding: Paperback
  • 140 pages

About the Author
Ella Cheever Thayer (September 14, 1849 – 1925) was a playwright and novelist. A former telegraph operator at the Brunswick Hotel in Boston, Massachusetts, who used her experience on the telegraph as the basis for a book ("Wired Love, A Romance of Dots and Dashes" was a bestseller for 10 years).

Most helpful customer reviews

40 of 41 people found the following review helpful.
Very Sweet
By Loves to Read
This is a very sweet story, of two people who meet via telegraph, both being operators. It also is a glimpse into the lives of young working women, in the early 20th century. You will be able to picture what it would be like, living in a boarding house-with its pros and cons. For a clean, quick read, to enjoy in quiet moments, this novel fits the bill!

7 of 7 people found the following review helpful.
Transends Time
By Southern Housewife
This is an older story so the reader has to adjust their mindset to terms like "making love" meaning flirting and there's also the issue of a large part of the plot revolving around them being telegraph operators and flirting over the wire. But still it's very relevant because readers can imagine sneaking to a love interests floor at work because we want to see them, or putting ourselves in their path etc- different technology but it still rings true. The two main characters were well developed and likeable, but I'd have liked to have seen some of the supporting cast either better developed or just left out. This story follows the very sweet model of Jane Austen where heroine meets the man, circumstances/misunderstandings get in the way and then we have a resolution. Well worth the read.

6 of 6 people found the following review helpful.
surprisingly good
By Beesocks
I bought this book to read on my kindle because it was free (public domain) It is a surprisingly good read. I very much enjoyed the romance between N and C. Its very well written and I loved the characters.

The story is built around young telegraph operator Nattie, who begins a flirtation "over the wire" with the mysterious Clem at a telegraph station some miles away. Along with Nattie and Clem there are all of the interesting characters who live at Nattie's boarding house, the dashing singer Cyn, the artist Jo, clumsy Quimby who is hopelessly in love with Nattie, along with various other tenants and landladies.

Some of the most interesting parts are the way the romance parallels today's modern technologies. Nattie and Clem meet online so to speak, and speculation is made that one day lovers will be able to have a device in their pockets that will allow them to communicate by voice whenever they wish. Pretty neat for a book written in the late 1800s.

Very sweet and romantic story that I really enjoyed a lot more than I thought I would!

See all 23 customer reviews...

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!! Ebook The Whispering Swarm: The Sanctuary of the White Friars, Book 1, by Michael Moorcock

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The Whispering Swarm: The Sanctuary of the White Friars, Book 1, by Michael Moorcock

Almost anyone who has read or written science fiction or fantasy has been inspired by the work of Michael Moorcock. His literary flair and grand sense of adventure have been evident since his controversial first novel Behold the Man, from the stories and novels featuring his most famous character, Elric of Melniboné, to his fantasy masterpiece, Gloriana, winner of both the Campbell Memorial and World Fantasy awards for best novel. Neil Gaiman, Alan Moore, and Michael Chabon all cite Moorcock as a major influence; as editor of New Worlds magazine, he helped launch the careers of many of his contemporaries, including Harlan Ellison, Philip K. Dick, and J. G. Ballard.

Moorcock's first independent novel in nine years is a tale both fantastical and autobiographical, a celebration of London and what it meant to be young there in the years after World War II. The Whispering Swarm is the first in a trilogy that will follow a young man named Michael as he simultaneously discovers himself and a secret realm hidden deep in the heart of London.

  • Sales Rank: #22334 in Audible
  • Published on: 2015-02-10
  • Released on: 2015-02-10
  • Format: Unabridged
  • Original language: English
  • Running time: 970 minutes

Most helpful customer reviews

13 of 15 people found the following review helpful.
Technically brilliant, but it's a hard book to enjoy - too long and far too dry
By Bob Milne
There is absolutely no doubt that The Whispering Swarm is technically brilliant. The complex interplay of autobiography, real-life history, invented mythology, and pulp adventure is, really, quite stunning to behold. Never before have I seen so many genres and themes at play within the same text, all of them having a significant role within the overall story. While it's bewildering at times, the literary mastery of Michael Moorcock ensures that it's never too dense or too confusing to hold the reader within the magical, mythical, marvelous walls of the tale.

With all that said, the emphasis here is largely on the autobiographical side of things, and that's where the story stumbles. Written entirely in the first person, here we have a relatively dry, straightforward, matter-of-fact presentation of a young man's life, as remembered (and, often, reinvented) by his older self. It has a rambling, stream-of-consciousness feel to it at times, with certain details explored at length, and others inexplicably glossed over. For instance, while it is interesting to understand how Moorock got his start in the business, and it's even fascinating to get a first-hand look at the process of writing, editing, and printing early fanzines and magazines, there's a point at which you really wish he'd just move on. At the same time, things like finding his true love are glossed over in a matter of pages, with the young woman never getting so much as a line of dialogue.

Now, back to the history/mythology aspect of the book, and the adventure it inspires. Alsatia is a mythological refuge of the White Friars, defenders of history's greatest treasures (both real and imagined). Most people are completely ignorant of their existence, and simply cannot see the massive old gates leading into a secret heart of London. Untouched by fire, famine, plague, or war, the refuge has stood strong against the years, with those inside living a multiverse kind of life that touches on random times and places in the outside world. It is, by far, the best part of the tale, especially when historical figures living in an alternate timeline lay siege to Alsatia, dragging Moorock into a battle across time.

There is so much promise in the premise of Alsatia, but I was truly disappointed to find that Moorock refrained from interweaving the multiverse here with that of the Eternal Champion. I remember getting to the chapter titled The Lost Albino and getting ridiculously excited by the prospect of seeing Moorcock and Elric cross paths, even if it was just to have some albino swordsman pass through Alsatia to inspire the character. Alas, such interplay is not to be found here, and the chapter really glosses over the creation of his greatest character with some cold, bored declarations that he only intended one story, but fans demanded another, then another, then another.

Ultimately, it is an interesting tale, but I fear it's too long, too dry, and too autobiographical for all but Moorcock's most avid fans. The moments of adventure and excitement are simply too few and too far between. At the same time, the narrative style does nothing to help propel the story forward. Moorock has proven in the past that he can do first-person well, but it's as if he played it too safe here, trying to remain true to his own voice. Like I said, The Whispering Swarm is technically brilliant, but it's a hard book to enjoy.

7 of 7 people found the following review helpful.
The Whispering Swarm, It takes me places as strong visions in my mind.
By Saskir Forester
This is a very fascinating book. The fictional parts are really good with brilliant ideas. I feel this novel is especially exciting and entertaining to us readers of Michael Moorcock stories. It fits in well with tales of 'moonbeam roads' and The Multiverse. The biography really holds my attention and it is a thousand times more interesting than television type biographies. The bio and fiction are woven together beautifully. This book is superb. It takes me places as strong visions in my mind. It moves rather quickly and I really desire to read the next books in The Sanctuary of the White Friars. I love this book. 5 out of 5 stars. In fact, I give it an extra three bonus marks on top of that! (I'll give it an extra perfect personal rating of 9, a strong number ;) ) I highly recommend The Whispering Swarm.

22 of 27 people found the following review helpful.
The newest Moorcock novel is a pleasure to behold.
By Space-27
The first and second chapter are among the best written. The story is bound to have some surprises in it. This is a very un-typical fantasy, and a refreshing change of pace from Middle Earth and Westeros. I'm not proclaiming The Whispering Swarm to be superior. I'm saying it is curiously stimulating in unexpectedly fresh ways.

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Sabtu, 26 September 2015

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When Mary visits Charlotte at Hunsford, she meets Major Carleton Quartermaine, a brash relation to Lady Catherine de Bourgh. "Carley" sees a side of Mary she's always kept hidden, and he utterly disarms her when they sing a duet together.

The attention is unexpected and thrilling, but can prim Mary give her heart to a man she cannot trust?

  • Sales Rank: #436019 in eBooks
  • Published on: 2015-02-24
  • Released on: 2015-02-24
  • Format: Kindle eBook

From the Author
The Wager is Mary Bennet's story. What if Mary went to visit Charlotte at Hunsford... and had an adventure there... ?

Most helpful customer reviews

11 of 11 people found the following review helpful.
Mary's sweet Happily Ever After
By Amazon Customer
This was a relatively short story and surprisingly sweet. It is written from Mary's perspective and gives little attention to those mainstays of JAFF - Lizzy and Darcy. The storyline is somewhat altered from the original Pride and Prejudice, although given it's focus on Mary and what she sees and knows only, it is not clear exactly what has changed. From what little we saw of them, Austen's characters are essentially true to themselves. There were no obvious historical inaccuracies that I noticed (although I am no expert) and I did not notice any typos. The prose itself flowed easily and was a pleasure to read. There wasn't any substantial angst either; it is a happily-ever-after ending with only a few mishaps along the way.

I happily recommend this to any JAFF enthusiasts, with the caution that Mary really is the center of this story. Everyone else except her beau is background; Mary's thoughts, feelings and growth is what it is all about. I found it very refreshing and will be eagerly watching for the author's next book!

9 of 9 people found the following review helpful.
Good reading
By Sarah Jo
For some reason I love reading about Mary Bennett. Most of the ones I have found were good. Her character in this variation is realistic and enjoyable.

7 of 7 people found the following review helpful.
A new P&P alternative, delightful.
By Carla Elliott
This is another delightful take inspired by Jane Austen's Pride and Prejudice. All of your favorite characters are present, only seen through the eyes of Mary Bennett. I highly recommend it.

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Senin, 21 September 2015

> Get Free Ebook The Weans at Rowallan, by Kathleen Fitzpatrick

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The Weans at Rowallan, by Kathleen Fitzpatrick

"[...]pleasant" when Fly was telling her about the time Patsy hurt his foot. Fly was in the middle of the tale of Andy's trouble that morning when Miss Black interrupted her. "You must come and see me, my dear, and bring the others with you, and you shall make the acquaintance of my darling Phoebus." Here was another person Fly had never heard of. She wondered who he could be.[...]".

  • Published on: 2015-02-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .26" w x 6.00" l, .28 pounds
  • Binding: Paperback
  • 112 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
A Memorable Children's Book - Unique and Funny
By Amanita
The rarest kind of children's book, one that simply tells its episodic story with wit, without a moral, and yet conveys a vivid sense of characters, place and time. The setting is northwest Ireland just over a hundred years ago, a decaying Anglo-Irish house inhabited by a tragically widowed mother of five lively children and a few old family retainers. The mother took to her bed after the death of her husband, leaving the children free to roam the wild countryside and interact with the often eccentric villagers, farmers, and fisher-folk who make up the sparse population. There is a distinctly Irish blend of tragedy, comedy, and wonderful language that makes this rare book a treasure. My only regret - and it is a big one - is that this edition lacks the inimitable pen and ink illustrations by Peggy Bacon that were the perfect complement to the edition that I enjoyed as a child.

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Sabtu, 19 September 2015

^ PDF Ebook The Lives of the Twelve Caesars: To which are added his: Lives of the Grammarians, Rhetoricians, and Poets, by Gaius Suetonius Tranquillus

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The Lives of the Twelve Caesars: To which are added his: Lives of the Grammarians, Rhetoricians, and Poets, by Gaius Suetonius Tranquillus

The Lives of the Twelve Caesars: a set of twelve biographies of Julius Caesar and the first 11 emperors of the Roman Empire written by Gaius Suetonius Tranquillus. Added to this are: Lives of the Grammarians Lives of the Rhetoricians Lives of the Poets In English translation. Revised and corrected. With notes.

  • Sales Rank: #6005171 in Books
  • Published on: 2015-02-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .97" w x 6.00" l, 1.24 pounds
  • Binding: Paperback
  • 386 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Colorful Portraits of the Godfather Caesars
By Matt Mansfield
What a well-paced, entertaining chronicle worthy of the lives and times of the Caesars!

Written at the end of the "Silver Age" of Roman arts and literature, most likely around 120 AD, Gaius Suetonius Tranquillus (69 - 150AD) provides well-organized, fascinating profiles of these leaders and their companions. And there were certainly turbulent transition from one Caesar to the next, full of intrigue, plots, sexual frolics, greed and murder worthy of anything served up as entertainment or news today.

What sets this edition of Suetonius’ work apart is the interesting original translation by Alexander Thomson in 1796 with commentary at the end of each chapter expanding on the main artists who were contemporaries of each Caesar. These additions bring a “humanities” perspective to the main events and their impacts.

Rest assured the original translation has been updated more recently by T. Forester who has been busy publishing versions of this and other classical literature. This new edition includes an added section on “The Lives of Grammarians, Rhetoricians and Poets” which is not covered in this review.

Suetonius takes us through almost 150 years of the Roman Empire by portraying the first emperors - from the end of the Republic to the end of the Caesars (and slightly beyond). And how initial reassurances to all by the first Caesar that this change to a single ruler-manager government was necessary for the country’s stability evolved into a mesmerizing transition from despot to despot.

There are reasonably smooth periods under Julius, Augustus, to some extent Claudius and, later, the Flavian family rulers of Vespasian, Titus and Domitian.

In contrast, there are also intervals, short and long, of egotism and eccentricity, even madness, starting with Tiberius, then, Caligula and Nero. Some were part of the bloodline, some by adoption, but could claim to be descended from the family.

With the assassination of Nero came the end of the Caesars and a remarkable interval called “The Year of the Four Caesars” (68-69AD) with three outsiders – Galba, Otho and Vitellius - claiming the dictatorship before Vespasian, an army general, solidified his grasp of the power.

With each portrait Suetonius provides insightful personal detail about each Caesar’s habits, marital arrangements and operating styles with soldiers, foes, senators and the general public. And juicy, scandalous tales about their sexual preferences and preoccupations. They were a busy lot.

Above all, they liked “control” of their worlds by any means necessary and had little reason to believe they couldn’t do what they wished – usually until too late.

The author provides a consistent and cohesive approach to presenting each Caesar:

• A concise description of his family background, childhood, key relatives and people who influenced him and emergence into public life
• Skillful tracing of the major career events and critical decisions and acts that impacted individuals such as friends, competitors, politicians and the public, first positive, then, negative (in most cases the negative stories far outweigh the positives inevitably pointing to demise of the particular emperor)
• Wrapped into this portrait, public accomplishments and quirky preferences such as Tiberius bringing in people he could watch as they performed seamy sexual acts on one another; Nero dressing his favorite eunuch as his queen to ride with in public; Domitian using morning time alone in his private quarters to catch flies and take their wings off
• A brief description of how each died (most were either assassinated or thought to be if poisoning was suspected – only three seemed to die of natural causes), the immediate reaction from the public, the army, and potential successors
• Then, a description of the man physically, his manner of dress, education or interests in the arts and artists, especially Nero who fancied himself as an artist superior to most others

The author never really explores why the Republic was not restored after various opportunities were presented. Perhaps this one-ruler form of government had been around long enough to be the “norm,” thanks to its 40-year start during the benign Augustan period. Then again, it may have been risky for Suetonius to openly speculate around his own emperor.

The drawbacks to this collection are stylistic but sufficient to make reading tiring at times. A caution to readers: the third person is used extensively so that tracking who Suetonius is referring to is difficult at times. Coupled with the lack of paragraphs, just section denotations, the text can sometimes scramble the story.

This “tell all” historical style of Suetonius is informative, eye opening and has a modern feel at times. His older contemporary, Tacitus (56 – 120AD) takes a more traditional approach to recording events though not without delightful observations (see my 01/26/2014 Amazon review of “The Complete Tacitus Anthology).

With Tacitus doing the play-by-play adding some sly random wit, Suetonius makes for great color commentary at ringside during this age of the Caesars.

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Jumat, 18 September 2015

^^ Get Free Ebook The Jungle, by Upton Sinclair

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The Jungle, by Upton Sinclair

“One could not stand and watch very long without being philosophical, without beginning to deal in symbols and similes, and to hear the hog-squeal of the universe.... Each of them had an individuality of his own, a will of his own, a hope and a heart's desire; each was full of self-confidence, of self-importance, and a sense of dignity. And trusting and strong in faith he had gone about his business, the while a black shadow hung over him, and a horrid Fate in his pathway. Now suddenly it had swooped upon him, and had seized him by the leg. Relentless, remorseless, all his protests, his screams were nothing to it. It did its cruel will with him, as if his wishes, his feelings, had simply no existence at all; it cut his throat and watched him gasp out his life.” Upton Sinclair, “The Jungle”

  • Sales Rank: #2740733 in Books
  • Published on: 2015-02-23
  • Original language: English
  • Dimensions: 9.00" h x .98" w x 6.00" l,
  • Binding: Paperback
  • 392 pages

From Publishers Weekly
Starred Review. Originally published in 1991 as part of a short-lived revival of the Classics Illustrated line, this adaptation of Sinclair's muckraking socialist novel succeeds because of its powerful images. When Kuper initially drew it, he was already a well-known left-wing comics artist. His unenviable task is condensing a 400-page novel into a mere 48 pages, and, inevitably, much of the narrative drama is lost. Kuper replaces it, however, with unmatched pictorial drama. The story follows Lithuanian immigrant Jurgis Rudkis and his family as they are eaten up and spit out by capitalism (represented by Chicago's packing houses). Kuper uses an innovative full-color stencil technique with the immediacy of graffiti to give Sinclair's story new life. When Jurgis is jailed for beating the rich rapist Connor, a series of panels suffused with a dull, red glow draw readers closer and closer to Jurgis's face, until they see that the glint in his eye is fire. Jurgis, briefly prosperous as a strong-arm man for the Democratic machine, smokes a cigar; the smoke forms an image of his dead son and evicted family. Perhaps most visually dazzling is the cubist riot as strikers battle police amid escaping cattle. Kuper infuses this 1906 novel with the energy of 1980s-era street art and with his own profoundly original graphic innovation, making it a classic in its own right.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Grade 10 Up–In 1906, Sinclair published The Jungle, a realistic and scathing portrayal of the life of an immigrant worker. Kuper's revised adaptation focuses solely on its hero, Jurgis Rudkus. Readers follow him from his emigration from Lithuania to downtown Chicago, eager to find the American Dream he's heard so much about. But the harsh world of Chi-town quickly shatters his hopes; forced to take a job at a slaughterhouse, he performs the most menial and vile tasks. An injury pushes him to unemployment and, unable to provide for them, he leaves his family in shame. Rudkus transforms from a starry-eyed dreamer into a cynical but valiant man who fights for workers' rights. Kuper's artwork effectively mimics some of the major art movements of the day. The book opens in a Chagall-inflected form of cubism, lending a folksy, dreamy, and hopeful quality to the early pages. Then, the visuals become increasingly jagged and frenetic until they reach the Futurist-inspired panels that illustrate the story's climax. Well-plotted and beautifully illustrated, Kuper's adaptation breathes new life into this classic American story.–Matthew L. Moffett, Northern Virginia Community College, Annandale

From Booklist
The biographical sketch at the end of Kuper's visualization of the most famous muckraking novel says that it was intended not as an expose of the meatpacking industry but as a pitch for socialism. Kuper and coadapter Russell restore Sinclair's original intent by concentrating on the odyssey, from green Lithuanian immigrant to horribly saddened but finally wiser nascent Socialist Party member, of the book's protagonist, Jurgis Rudkus. It is a story of the highest possible pathos. Jurgis is a working-class Job and worse, for he loses almost everyone he loves to the grinding jaws of industrial capitalism (the coup de grace comes when his dead wife's little brother is eaten by rats) and becomes a strikebreaker and ward heeler before he absolutely bottoms out. Grimmer than Dickens' books, Sinclair's agitprop classic seems tailor-made for Kuper's spectacular color artwork, in which Chagall's buoyant Old World fantasias meet the intense expressionism of Munch and, above all, the cubist-derived constructivism of early Soviet poster art, with a smidgen or two of 1920s German cinema in the compositions. Magnificent. Ray Olson
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

122 of 128 people found the following review helpful.
Chicago Stockyards at the Turn of the Century
By Tony Ramirez
Lithuanian immigrant Jurgis Rudkus and his new bride Ona, along with several other extended family members, try to survive in the "Back of the Yards" district of Chicago. Strapping Jurgis quickly finds employment in the meat packing business and the family begins to eke out a very modest living.

The appeal of home ownership quickly becomes their undoing. They invest their life savings as the downpayment and due to unplanned costs of homeownership (interest, taxes, repairs, etc), they quickly fall behind in their finances. This requires all family members to seek employment, which allows them to hold their heads above water. Unfortunately, the seasonal swings of work, ill health and brutal Chicago winters lead to further financial struggles.

A variety of further circumstances such as death, illness and infidelity lead to choices that continue to test the morals of the characters. Each struggle with the choices necessary for their survival. All are changed forever by the "evils" of the system.

The story details the horrific working conditions of the Stockyards laborers, the deplorable practices followed by the meat packing industry itself and the corruption associated with a capitalistic system. Yes, socialism is an underlying theme in this novel that becomes more evident at novel end.

Overall a very well written novel that provides a glimpse into the despicable conditions endured by the labor force of the Stockyards. No issues with the Kindle edition.

90 of 95 people found the following review helpful.
A supreme achievement
By kelsie
Upton Sinclair's "The Jungle" is one of the handful of books throughout all of history, perhaps, that have encapsulated the crying voices of the oppressed. While many readers and politicians at the time of its publication (and since) have focused on the intolerable conditions in which American food products were produced, the major thrust in "The Jungle" is not in regards to the ill-treatment of our food; it is in regards to the ill-treatment of our workers.

The repeated sufferings of Jurgis and his family are akin to an overwhelming symphony of sorrowful songs. As his family is driven deeper into debt, his body worn down, and his life's zeal and love slowly strangled, Jurgis' desperation becomes palpable, and if you can't sympathize with his feelings at the loss of his family's home--a structure they worked so hard for--check your pulse. You might be dead.

The book contains some of the most horrific depictions in all of literature, including a mercifully oblique reference to a child's death by being eaten alive by rats. Although the novel focuses on Jurgis primarily, it is the children--the laboring little people--who elicit the most sympathy in this reader's view. Struggling to support their family, escaping extremely dangerous situations (one little girl is nearly dragged into an alley and raped), sleeping on the street, and begging desperately for food--the appalling conditions being visited upon children as described in "The Jungle" still have the power to arouse strong anger and outrage, over a century after its initial publication.

One of the greatest social novels ever written, "The Jungle" is a moving tribute to the millions of immigrants who did come here legally, who did find jobs, who were ready to work for their slice of the American Dream, and who survived (barely) despite being swindled, stolen from, lied to, oppressed, turned out, ignored, and abused, almost from the very first step they took into the United States. The recent punditry over immigration that has dominated the national debate should serve as a reminder of the timelessness exhibited in Upton Sinclair's seminal masterpiece.

139 of 151 people found the following review helpful.
In the jungle
By Marcus A. Lewis
We last saw Chairman of the Board Juan Cabrillo in "The Silent Sea" (3/10), as he was trekking across the frozen wastes of the antarctic. He had become separated from the crew of the "Oregon" and believed dead. The Chairman and his motley crew are all together again in the latest collaboration from Clive Cussler and Jack Du Brul.

"The Jungle" begins with one of the better Prologues of a Cussler novel in some time. Set in Eastern China, 1281 A.D. We are eyewitnesses to the battle tactics of General Khenbish, who is in the employ of the great Khan. We learn the history of the three tents that precede each battle; and the first known uses of lasers and dynamite on the battlefield. A walled village is obliterated because its leader dared to provoke the wrath of Khan. It is the independent observer who accompanies Khenbish that is the real surprise at the end of the opening chapter.

The story leaps from the past into the present, just four months ago. The tendrils that connect the two begin to reveal themselves; and the adventure begins.

The summary of "The Jungle" alludes to their many types: real, imagined, physical, and politcal. Readers will enjoy finding their way through all of them. It's easy to see why the "Oregon" files have eclipsed the Dirk Pitt series. The writing here is far superior to what the two Cusslers are generating together. A hat tip to Upton Sinclair, whose book inspired the title.

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Kamis, 17 September 2015

# Download Silver Birch, Blood Moon, by Ellen Datlow - editor, Terri Windling - editor

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Silver Birch, Blood Moon, by Ellen Datlow - editor, Terri Windling - editor

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Silver Birch, Blood Moon, by Ellen Datlow - editor, Terri Windling - editor

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Silver Birch, Blood Moon, by Ellen Datlow - editor, Terri Windling - editor

The four previous volumes in Ellen Datlow and Terri Windling's anthology series of fairly tales retold with a distinctively modern edge have been hailded by reviewers as "brilliant", "provocative", and "disturbing". In this triumphant new collection of original fiction, 21 of today's leading writers spin the cherished fables of childhood into glittering gold - offering magical tales for adults, as seductive as they are sophisticated.

A jealous prince plots the destruction of his hated brother's wedding by inventing a "magic" suit of clothing visible only to the pure at heart.... A young girl's strange fairy-tale obsession results in a brutal murder.... An embittered mother cares for her dying son, who is trapped in a thicket that guards a sleeping beauty.... In a bleak and desolate industrial wasteland, a group of violent outcasts lays the tattered myths of one millennium to rest and gives terrifying birth to those of the next.

Erotic, compelling, witty, and altogether extraordinary, these stories lay bare our innermost demons and desires, imaginatively transforming our youthful fantasies into things darker, slyer, and more delightfully subversive.

"The Shell Box" copyright 1999 by Karawynn Long; "Ivory Bones" copyright 1999 by Susan Wade; "The Wild Heart" copyright 1999 by Anne Bishop; "You Wandered Off Like a Foolish Child to Break Your Heart and Mine" copyright 1999 by Pat York; "Arabian Phoenix" copyright 1999 by India Edghill; "Toad-Rich" copyright 1999 by Michael Cadnum; "Skin So Green and Fine" copyright 1999 by Wendy Wheeler; "The Willful Child, the Black Dog, and the Beanstalk" copyright 1999 by Melanie Tem; "Locks" copyright 1999 by Neil Gaiman; "Marsh-Magic" copyright 1999 by Robin Mckinley; "Toad" copyright 1999 by Patricia A. Mckillip.

  • Sales Rank: #96072 in Audible
  • Published on: 2015-02-13
  • Format: Unabridged
  • Original language: English
  • Running time: 753 minutes

Most helpful customer reviews

8 of 8 people found the following review helpful.
Angela Carter would be pleased
By Amazon Customer
The FIFTH in the series of altered faery tales, it's a heckuva good time. Evidently a modern fantasy trend, Datlow and Windling can't put these out fast enough; I believe there's at least 2 following this. These tales are good reads in their own right, but add the satisfying pop-pyschology crunch of being able to dissect the original tale through its modern and fractured counterpart and you've got a great read. While again, these are being turned out like organic vegetarian pizzas in Hell-A, I never felt cheated or subjected to a formula. These authors are varied in language and message, even if some themes are awfully similar. The worst that can be said about this particulair series is that it may have a feminist slant at times, being written mostly (16 out of 20) by women, and likely FOR, women, screw it. If you've got a problem with it, go grab something that Mike Whelan drew the cover art for. While some of the themes are a bit heavy, (domestic violence / female oppression in "Kiss Kiss") overall, it's pretty light-hearted, and dang it (can I say it again), it makes you think in an easy, cerebral but not all-encompassing way about the folktales that shaped our imaginations and interesting modifications of them. Pick it up, and the rest, too. I'll warn you if, as is inevitable in fiction trends, it becomes overdone and heavy-handed.

5 of 5 people found the following review helpful.
An outstanding volume of stories
By A Customer
This volume is #5 in a series of fairy tales re-told for adults and I found it to be as satisfying and exceptional as the previous volumes. I won't list my favorite stories since every reader's taste is different, and what one likes best, another will like least. What I can tell you however is that the stories are wonderfully varied in tone and approach and the book courageously mixes Big Name authors with talented lesser known writers. I have always appreciated this about all the Datlow and Windling collections, and have learned about many wonderful new writers through them. One thing you can count on with their books is that all stories, whether to your personal taste or not, are of exceptionally high literary quality, showing why Datlow and Windling are widely considered the top editors of the fantasy field. I, for one, trust their editorial taste and am so grateful for all the hard work they have done to bring us this and many other collections over the years, and to provide a market for short story writers. I consider this a truly first rate collection, and Ms. Datlow and Ms. Windling have the deep gratitude of this lover of adult fairy tales.

15 of 19 people found the following review helpful.
Some roses among the weeds
By A Customer
This is the latest in a series of fairy tales refashioned for 20th century grownups. Edited by Datlow and Windling, these original stories are by various authors -- some justifiably famous, others just as justifiably obscure. It's a mixed bundle. Standouts are Garry Kilworth's "The Frog Chauffeur," "Toad-Rich" Michael Cadnum, "Ivory Bones" by Susan Wade, and "The Sea Hag" by Melissa Lee Shaw. Nancy Kress is always worth looking for, and her "Clad in Gossamer" is no exception with its new twist on "The Emperor's New Clothes." Other worthwhile entries are Russell William Asplund's "The Dybbuk in the Bottle," Anne Bishop's "The Wild Heart," and Pat York's "You Wandered Off Like A Foolish Child To Break Your Heart and Mine." Disappointments are (surprisingly) Tanith Lee's "Kiss Kiss," "Toad" by Patricia A. McKillip, and (unsurprisingly) "The Shellbox" by Karawynn Long, who once again typically pads a story with too much maudlin emotional weight for its bones. Like the others in the series, this anthology is worth purchasing in paperback form. Its good stories can be excellent. Others are good to not- painful. The worst are no worse than forgettable.

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Selasa, 15 September 2015

# PDF Ebook The Age of Innocence, by Edith Wharton

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The Age of Innocence, by Edith Wharton

Edith Wharton's twelfth novel, "The Age of Innocence", won the Pulitzer Prize in 1921. Set in the high society circles of late nineteenth century New York, Wharton beautifully contrasts the intensity of true passion against the complacency of a loveless but proper marriage; delicately questioning the expected behavior of the upper social class. Through Wharton's exquisite, detailed portrayal of the affluent class, she invites the reader to experience the charmed life of the "Gilded Age"... a life that would change dramatically by the end of World War I.

  • Sales Rank: #2292727 in Books
  • Published on: 2015-02-02
  • Original language: English
  • Dimensions: 9.00" h x .74" w x 6.00" l,
  • Binding: Paperback
  • 296 pages

Amazon.com Review
Somewhere in this book, Wharton observes that clever liars always come up with good stories to back up their fabrications, but that really clever liars don't bother to explain anything at all. This is the kind of insight that makes The Age of Innocence so indispensable. Wharton's story of the upper classes of Old New York, and Newland Archer's impossible love for the disgraced Countess Olenska, is a perfectly wrought book about an era when upper-class culture in this country was still a mixture of American and European extracts, and when "society" had rules as rigid as any in history.

Review
Novel by Edith Wharton, published in 1920. The work presents a picture of upper-class New York society in the late 19th century. The story is presented as a kind of anthropological study of this society through references to the families and their activities as tribal. In the story Newland Archer, though engaged to May Welland, a beautiful and proper fellow member of elite society, is attracted to Ellen Olenska, a former member of their circle who has been living in Europe but who has left her husband under mysterious circumstances and returned to her family's New York milieu. May prevails by subtly adhering to the conventions of that world. The novel was awarded a Pulitzer Prize. -- The Merriam-Webster Encyclopedia of Literature

From the Publisher
8 1.5-hour cassettes

Most helpful customer reviews

215 of 217 people found the following review helpful.
Passion and the outsider
By EA Solinas
It was a glittering, sumptuous time when hypocrisy was expected, discreet infidelity tolerated, and unconventionality ostracized.

That is the Gilded Age, and nobody knew its hypocrises better than Edith Wharton.... and nobody portrayed them as well. "The Age of Innocence" is a trip back in time to the stuffy upper crust of "old New York," taking us through one respectable man's hopeless love affair with a beautiful woman -- and the life he isn't brave enough to have.

Newland Archer, of a wealthy old New York family, has become engaged to pretty, naive May Welland. But as he tries to get their wedding date moved up, he becomes acquainted with May's exotic cousin, Countess Ellen Olenska, who has returned home after dumping her cheating husband. At first, the two are just friends, but Newland becomes more and more entranced by the Countess' easy, free-spirited European charm.

After Newland marries May, the attraction to the mysterious Countess and her free, unconventional life becomes even stronger. He starts to rebel in little ways, but he's still mired in a 100% conventional marriage, job and life. Will he become an outcast and go away with the beautiful countess, or will he stick with May and the safe, dull life that he has condemned in others?

There's nothing too scandalous about "Age of Innocence" in a time when starlets acquire and discard boyfriends and husbands like old pantyhose -- it probably wasn't in the 1920s when it was first published. But then, this isn't a book about sexiness and steam -- it's part bittersweet romance, part social satire, and a look at what happens when human beings lose all spontaneity and passion.

Part of this is due to Wharton's portrayal of New York in the 1870s -- opulent, cultured, pleasant, yet so tied up in tradition that few people in it are able to really open up and live. It's a haze of ballrooms, gardens, engagements, and careful social rituals that absolutely MUST be followed, even if they have no meaning. It's a place "where the real thing was never said or done or even thought."

And Wharton writes distant, slightly mocking prose that outlines this sheltered little society. Her writing opens as slowly and beautifully as a rosebud, letting subtle subplots and powerful, hidden emotions drive the story. So don't be discouraged by the endless conversations about flowers, ballrooms, gloves and old family scandals that don't really matter anymore.

In the middle of all this, Newland is a rather dull, intelligent young man who thinks he's unconventional. But he becomes more interesting as he struggles between his conscience and his longing for the Countess. And as "Age of Innocence" winds on, you gradually see that he doesn't truly love the Countess, but what she represents -- freedom from society and convention.

The other two angles of this love triangle are May and Ellen. May is (suitably) pallid and rather dull, though she shows some different sides in the last few chapters. And Ellen is a magnificent character -- alluring, mysterious, but also bewildered by New York's hostility to her ways. And she's even more interesting when you realize that she isn't trying to rebel, but simply being herself.

"Age of Innocence" is a subtle look at life in Gilded Age New York, telling the story of a man desperately in love with a way of life he hasn't got the courage to pursue. Exquisite in its details, painful in its beauty.

96 of 98 people found the following review helpful.
A book that should be shared between mothers and daughters
By A Customer
I find it interesting and in some ways disturbing how few (openly at least) female viewpoints are expressed among the reviews of this book. Indeed, some of reviews make it appear that there are quite a few males out there who believe females are a sexual "tabula rasa" on which they can write their judgements of what constitutes morally appropriate behavior.
This book must be understood not simply as art, but as a psychological statement, namely that sexuality exists within each of us from infancy on and parents and society deny that at their own risk.
When I was the age of the girls in this book there was no one with the courage to come forward and openly depict the flowering of female sexuality. I lived with confusion and shame about my body and my desires, hurtful feelings that lasted until I was well into my adulthood.
I came across this book in a store one day while looking for something else. I spotted the title and I vaguely remembered a news story about some people wanting to ban it, so I thought I would look at it out of curiosity. The images in it were so beautiful I almost started to cry right there, it was as though I found vindication for the very core of my being.
After taking it home, I decided to share it with my nine-year old daughter with whom I had just recently had "The Talk". It was wonderful being able to show her how her body would change and how she would be beautiful even as she changed from a girl into a woman. It is true there are already books out there that are supposed to address the issue, but so often they take a clinical approach that is scary in its own right. The artistry of this book, combined with the photographer's selection of natural-looking girls (you will not find made-up or coiffed girls in the pages of this book), will, in my opinion, help any girl appreciate her changing body.
Mothers, share this book with your daughters, it will help make so clear the many changes they are going through and how they are positive. No girl should ever have to feel shame of her own body and this book is an important step.

78 of 79 people found the following review helpful.
"An atmosphere of faint implications and pale delicacies."
By Mary Whipple
Newland Archer, the protagonist of this ironically entitled novel set in the late nineteenth century, is a proper New York gentleman, and part of a society which adheres to strict social codes, subordinating all aspects of life to doing what is expected, which is synonymous with doing what it right. As the author remarks early in the novel, "Few things were more awful than an offense against Taste." Newland meets and marries May Welland, an unimaginative, shallow young woman whose upbringing has made her the perfect, inoffensive wife, one who knows how to behave and how to adhere to the "rules" of the society in which they live.

When Newland is reintroduced to May's cousin, Countess Ellen Olenska, who has left her husband in Europe and now wants a divorce, he finds himself utterly captivated by her independence and her willingness to risk all, socially, by flouting convention. Both Ellen and Newland are products of their upbringing and their culture, however, and they resist their feelings because of their separate social obligations. Various meetings between them suggest that their feelings are far stronger than what is obvious on the surface, and the question of whether they will finally state the obvious or act on their feelings constitutes the plot.

Wharton creates an exceptionally realistic picture of New York in the post-Civil War era, a time in which aristocrats of inherited wealth found themselves competing socially with parvenus. Her ability to show the conflict between a person's need for social acceptance and the desire for personal freedom is striking. As the various characters make their peace with their decisions--either to challenge or yield to social dictates--the novel achieves an unusual dramatic tension, subtle because of its lack of direct confrontation and powerful in its effects on individual destinies. This is, in fact, less an "age of innocence" than it is an age of social manipulation.

Wharton herself manipulates the reader--some of her best dialogues and scenes are those the characters never actually have--conversations that they imagine, confrontations which they never allow themselves to have, and resolutions which happen through inaction rather than through decision-making. Filled with acute social observations, the novel shows individuals convincing themselves that obeying social dictates is the right thing to do. Though the novel sometimes seems claustrophobic due to its limitations on action, Age of Innocence brilliantly captures the age and attitudes of the era. Mary Whipple

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Senin, 14 September 2015

~~ Get Free Ebook Flatland: A Romance of Many Dimensions, by Edwin A. Abbott

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Flatland: A Romance of Many Dimensions, by Edwin A. Abbott

Flatland: A Romance of Many Dimensions is an 1884 satirical novella by the English schoolmaster Edwin Abbott Abbott. Writing pseudonymously as "A Square", the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella's more enduring contribution is its examination of dimensions. Several films have been made from the story, including the feature film Flatland (2007). Other efforts have been short or experimental films, including one narrated by Dudley Moore and the short films Flatland: The Movie (2007) and Flatland 2: Sphereland starring Martin Sheen and Kristen Bell.

  • Sales Rank: #68686 in Books
  • Published on: 2015-02-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .15" w x 6.00" l, .22 pounds
  • Binding: Paperback
  • 64 pages

Review
This pre-Einstein geometrical fantasy is one of the best things of its kind that has ever been written, for it is more than an ingeniously sustained fantasy: it is a social satire, with wit as sharp as the sub-lutrous end of a Flatland woman; it is aneasy philosophical introduction to the Fourth Dimension; and it is a rebuke to everyone who holds that there is no reality beyond what is perceptible by human senses.>>> (Saturday Review ) --Flatland

This pre-Einstein geometrical fantasy is one of the best things of its kind that has ever been written, for it is more than an ingeniously sustained fantasy: it is a social satire, with wit as sharp as the sub-lutrous end of a Flatland woman; it is an easy philosophical introduction to the Fourth Dimension; and it is a rebuke to everyone who holds that there is no reality beyond what is perceptible by human senses. --Saturday Review

About the Author
British teacher and theologian EDWIN ABBOTT ABBOTT (1838-1926) is also the author of Shakespearian Grammar (1870), The Anglican Career of Cardinal Newman (1892), and St. Thomas of Canterbury, His Death and Miracles (1898).

Most helpful customer reviews

44 of 45 people found the following review helpful.
Don't bother with this edition
By S. Sinclair
I've read Flatland several times in printed form -- it's one of my favorite books. I got this edition free, but even at that, this isn't worth it. The illustrations are missing, and for this book they're not just a nice addition; the pictures are crucial to following the story. (Also, the text makes references to the pictures.) There are also some mangled words and other problems.

If you're about to read this excellent book for the first time, you'd be robbing yourself of the experience by trying to follow this garbled, text-only version. If you're already a fan, you'll just find this edition frustrating. So, whether or not you've read Flatland before, please spend the $1 for a nice, edited version with the illustrations included: Flatland: A Romance of Many Dimensions (Illustrated)

115 of 126 people found the following review helpful.
Mind bender anyone?
By A Customer
Although it isn't very long, Flatland does take a long time to read. This isn't because it is boring, or because it is hard to read, but because of the large amount of digestion one need's to fully comprehend (and to fully enjoy) this book. Even this book contains only 82 pages, it is by no means light reading. The book was originally released in 1884 under Abbott's pseudonym A Square. In the story we follow the journey of a square who lives in a land of two dimensions--a flat land. In it class, and ultimately intelligence, is determined by the amount of sides that a shape has. As the amount of sides a shape has decreases, we find that it also is more emotional and apt to cause destruction through their pointed corners. Women are depicted as straight lines, but one has to take into account the time that this book was published. One can also disregard the story as having any relations to anything in our society and enjoy it for what it is, a mind bending social criticism. In this tale we follow the aforementioned square through his everyday life. we learn what it is like to exist in only two dimensions. We learn of how rain falls form the north and disappears to the south and how gravity is a minute force that pulls to the south ever so slightly. We follow him through the government and through social classes, and the discrimination that comes with them. When his son talks of geometric impossibilities such as 23 (cubed) he has a dream of a lesser land than his, a land called line land. IN it there is not two but only one dimension of being. Through discussion with the kind of lineland, we are offered insight into why our hero the square cannot conceive of the third dimension. Later our hero is visited by a great being, a sphere that appears to him seemingly out of nowhere. This confuses the square very much, and even more when the sphere tries to explain how he passed into his dimension from the third. After heated debate, the sphere takes him and shows him the third dimension, turning our hero into an evolved form of him self, a cube. Form his higher vantage point the square is able to see the innards of those who reside in flatland. He receives tutoring from the sphere about this new dimension and all that it entails. He learns of how limited the field of vision is for those living in flatland, both literally and figuratively. With his previous limits of reality stripped and with his eye opened to the truth, the square quickly follows logic and asks to see the insides of the sphere, and wishes to ascend further into greater dimensions, fourth dimensions and fifth and onward and upward. The sphere is appalled by this heresy and send our hero back to the limited realm of flatland. Here he tries to convince others to be enlightened, but cannot find success. He has a second dream involving the dimension of pointland, no dimensions. The being inhabiting this land is of nothing and knows nothing but itself, which is nothing. There fore this being cannot be disappointed by anything, because it cannot conceive of anything other than itself. We can see the religious parallels to Hinduism and Buddhism here. The completely content creature is of nothingness, much like the state that Buddhists try to achieve, and the outward ranking by dimension not sides can be seen in Hinduism in the spiral path towards God that the Hindu believe they travel along passing from one point on the spiral to another with each passing life. In this land of math all of the lands are contained within each other, much like the rings of the spiral. Finally after this dream the square realizes the futility of trying to convince others through speech, and he feels he must do it through demonstration. Folks hear of his heresy and bring him to the court for the climax of the book. Whether or not the plot of the novel itself is very entertaining, the ability to get your head around concepts that can only be experienced through the mind is challenged thoroughly by this novel. It is a must read for anyone who thinks that they are well educated, as it will quickly tell you just where you stand, theologically, philosophically and mathematically.

70 of 76 people found the following review helpful.
Unimaginable Dimensions
By Jon Linden
Flatland is a unique and brilliant treatise on a trifurcated level. It is a sociological statement, a mathematical statement and a religious statement all rolled into an incredibly astute 82 pages. The book centers mostly on the differences between a two dimensional world and a three dimensional world; but comments on society, law, prejudice, religion, and proselytizing.

The book especially points out the difficulty in envisioning a greater reality and a greater vision than is commonly observed by any individual in any dimension or society. The author's premise relates to things existing in a "plane geometry" world as opposed to a "Euclidian Geometric" three dimensional figure universe. The book carefully illustrates to one denizen of Flatland how the three dimensional world of space works and/or exists. Upon finally understanding the "Gospel of Three Dimensions" our protagonist goes on to try and apply the same arithmetic logic and geometric analogs to a fourth dimensional universe. Shouldn't there exist a fourth dimensional universe that allows an entity to look down upon the three dimensional universe with as much transparency as one can from three dimensions to two?

Alas, things become different in dimensions other than the first, a world of lines, the second, a world of shapes and the third, a world of objects. In the zero dimension, all things are a point. Mathematically we know that any number raised to the "0" power equals 1 and therefore, all things in the zero dimension resolve into one single omnipotent point. This condition would also exist in the fourth dimension; as those of us in the third dimension have no model to compare it to. Envisioning a fourth dimension, even with time as the fourth dimension is truly difficult or impossible for us in the third dimension.

Interspersed with this witty and intellectual dialogue are comments on society and its structure. He specifically comments multiple times of the degradation of women in society to the lowest social status. Only men are educated in Flatland. Interestingly, he paints a picture of an authoritarian society in which people are judged by their shapes and angles. This reflecting the Victorian societal values around him at the time of his writing.

Flatland is recommended to all those who seek to enlighten their view of the universe and of potential universes. It is especially recommended to those seeking higher knowledge of any type. Flatland is truly a multi-dimensional experience and worth every minute.

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