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Des Esseintes is a neurasthenic aristocrat who has turned his back on the vulgarity of modern life and retreated to an isolated country villa, where he pursues his obsessions with exotic flowers, rare gems and complex perfumes. The original handbook of decadence, this novel enjoys a cult following.
- Sales Rank: #1361936 in Books
- Brand: Brand: Dedalus Limited
- Published on: 2015-02-25
- Original language: French
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l, .74 pounds
- Binding: Paperback
- 100 pages
- Used Book in Good Condition
Most helpful customer reviews
1 of 2 people found the following review helpful.
Heavy as lead
By ICXCNIKA
This has not been an easy book to read in any sense. Sometimes I wonder why I do it to myself: I mean, read books so dense and psychological and European that I can say I'm "subjecting" myself to them. No, I won't be re-reading this one. I am glad I'm now unable to enjoy the book really on its own terms, yet I can also say it was not a waste of time.
What's the angle here, you might ask? Well, it's as much an extreme experiment in style as a novel. This book is almost 100% in the head of one character, and the only one who gets any dialog. He is a disgustingly rich and idle post-dandy who, having "done it all" and fed up with the coarseness of taste of his society (that being 19th century France, no less) retreats into the cloister of his own mansion to pursue the utmost refinement in all things: ideas, books, art, experiences, objects, etc. Selfish and vain to the nth degree, of course. This unholy cloistering and the attendant intense mental rumination happens to be his one true pleasure, yet increasingly a waning one. Yes, it features the full tour-de-force of cultural literacy that such a reading experience would imply, but the annotations in the back of the book lower the bar considerably for readers. Otherwise, you might be shocked by just how educated and discriminating the author can be, and moreover by how graphic.
This edition is a fine, fine example of modern publishing, with annotations so useful and a translation from French so well done that it's even ... decadent. If my interest as a reviewer was only in that, I would have given five stars. But I don't suffer a heavy dish of bleak cynicism gladly.
This was a fairly chilling book for me to read sometimes because I saw a lot of my neurotic "old man" in the protagonist, yet the 20-years-later preface by the author J.K. Huysmans makes it clear that we are not bereft of hope in the New Man. What I mean is, Huysmans eloquently explains that this novel, while despairing, is the rock bottom from which all his later Christian literature builds up. I must say however, that Huysman's brand of literary gloom-and-doom as a foundation for the hope in Christ to follow is not nearly as compelling as that of Dostoevsky's or Flannery O'Conner's. I never felt the implicit presence of God behind the alienation and despair of this character that I felt in reading of that of Dostoevsky's "Underground Man", for one, even though this book's protagonist obsesses over religion much much more. In my experience, the unbendingly SENSATE indulgence of this character's alienation vis a vis that one, really tarnishes it. If Huysmans as a devout Catholic retains deep-set flaws, it's because he remains snobbish and severe and detached from the gregarious aspect of most any other believers' experience. That's not a great way, either.
I think I will later on read the also-famous novels by Huysmans about the Durtral character (really a skew of himself). However, the first those (The Damned) is focused on the garish debauchery of French Satanism (you read that right) and at least as adult and graphic as anything here, and nary a ray of light. And that one came out well AFTER the author's conversion to the religion of Love. Yes, even as a communing Catholic this author was still quite borked in the head. And here I am reviewing his book. Funny that a person like me born in the Near East, and living in Kentucky, USA, ever bought, read, and reviewed a book like this. Stranger than fiction.
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