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Diary of a Madman and Other Stories, by Lu Xun
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Diary of a Madman and Other Stories by Lu Xun. Lu Xun (1881–1936), a leading figure of modern Chinese literature. Writing in Vernacular Chinese as well as Classical Chinese, Lu Xun was a novelist, editor, translator, literary critic, essayist, and poet. In the 1930s he became the titular head of the League of Left-Wing Writers in Shanghai.
The Complete Short Stories of Lu Xun where included in these edition:
A Madman's Diary; Kung I-chi; Medicine; Tomorrow; An Incident; Storm in a Teacup; My Old Home; The True Story of Ah Q; Village Opera; The New Year's Sacrifice; In the Wine Shop; A Happy Family; Soap; The Misanthrope; Regret for the Past; The Divorce; The Flight to the Moon; Forging the Swords.
Two brothers, whose names I need not mention here, were both good friends of mine in high school; but after a separation of many years we gradually lost touch. Some time ago I happened to hear that one of them was seriously ill, and since I was going back to my old home I broke my journey to call on them, I saw only one, however, who told me that the invalid was his younger brother.
"I appreciate your coming such a long way to see us," he said, "but my brother recovered some time ago and has gone elsewhere to take up an official post." Then, laughing, he produced two volumes of his brother's diary, saying that from these the nature of his past illness could be seen, and that there was no harm in showing them to an old friend. I took the diary away, read it through, and found that he had suffered from a form of persecution complex. The writing was most confused and incoherent, and he had made many wild statements; moreover he had omitted to give any dates, so that only by the colour of the ink and the differences in the writing could one tell that it was not written at one time. Certain sections, however, were not altogether disconnected, and I have copied out a part to serve as a subject for medical research. I have not altered a single illogicality in the diary and have changed only the names, even though the people referred to are all country folk, unknown to the world and of no consequence. As for the title, it was chosen by the diarist himself after his recovery, and I did not change it.
- Sales Rank: #181335 in eBooks
- Published on: 2015-02-12
- Released on: 2015-02-12
- Format: Kindle eBook
Language Notes
Text: English (translation)
Original Language: Chinese
About the Author
Gladys Yang and Yang Xianyi are the most distinguished team of Chinese-English translators. Besides Lu Xun, they have also translated many classics of traditional Chinese literature.
Lyell teaches modern Chinese literature at Stanford University.
Gladys Yang and Yang Xianyi are the most distinguished team of Chinese-English translators. Besides Lu Xun, they have also translated many classics of traditional Chinese literature.
Most helpful customer reviews
33 of 40 people found the following review helpful.
Chinese masterpiece!
By A Customer
In this book by Lu xun, a greatest Chinese fiction writer in the history, you will see some influence from Russian literature, such as Gogol, Dostoevsky, and Tolstoy, yet Lu xun manages to keep the Chinese atmosphere by the vivid descriptions on things he sees in China. "Diary of a Madman" is absolutely wonderful. Comparing it to Gogol's story of "Diary of a Madman" it is interesting how Lu xun explores the reality in such a different way from Gogol and still cuts one side of humanity open to the readers. If you like Chinese poetry, this book by Lu xun is a must! It's nothing like any novels written by Chinese Americans because you feel the sense of China in his stories while you can relate to all the characters' mental pain and suffer through his gorgeous language. I highly recommend this book to those who enjoy ethnic literature, Russian literature, and Chinese poetry, or those who simply enjoy literature.
35 of 43 people found the following review helpful.
A master piece of translation
By A Customer
I walked into Standford University bookstore on Sunday afternoon and saw the translation of 'Diary of a Madman'. I flipped through the pages and saw the short story 'Ah Q - real story' so I grabbed one book just to see the translation. As a student grew up in Taiwan, I knew Lu Xun's stories in Chinese well in high school. Actually even some of his work was in high school Chinese Literature curriculum. But I could not put it down until I finished reading the translation of 'Ah Q - real story'.
It is really a masterpiece in translation. The translator is both master in Chinese and English. I like the introductions, a foreigner's introduction about an author is more in reality, dealing both success and failure of Mr. Lu's life. Besides, as the translator said he tried to imagine what Mr. Lu would said if his native language is English. He really captured the essence of it. I really like it. It is a great way to know English style from an Engineer major point of view.
7 of 7 people found the following review helpful.
Vibrant, Alive, Earthy Translation
By Meow Tomcat
I have compared the Lyell translation to the established one by Yang Hsien-yi and Gladys Yang (Selected Stories of Lu Hsun Foreign Languages Press, Peking, 3rd edition, 1972). The Lyell translation embraces the spirit of the original Chinese in American English. The Yang translation is understated in typical British English. Compare this passage from New Years Sacrifice:
Yang version:
In one hand she carried a wicker basket, in which was a broken bowl, empty; in the other she held a bamboo pole longer than herself, split at the bottom: it was clear she had become a beggar.
Lyell version:
In one hand she carried an empty bamboo basket; a broken bowl lay inside it-- empty. With the other hand she supported herself on a bamboo pole that was taller than she and had started to split at the bottom. It was obvious that she had become a beggar, pure and simple.
The Lyell version is more descriptive, with a more active tense. Not shown here (because the Amazon editors objected) other passages have American colloquialisms and earthy, realistic and profane language. The Lyell version is more vibrant and alive. The 33 page introduction is illuminating for probing Lu Xun's motives and purpose in writing as well as touching on the art of translation. I counted 16 full page black and white illustrations to complement the stories. The only criticism is the book binding that is stiff and prevents the book from lying flat.
The stories are: (1) Diary of a madman (2) Kong Yiji (3) Medicine (4) Tomorrow (5) An unimportant affair (6) The story of hair (7) A passing storm (8) Hometown (9) Ah Q-- the real story (10) Dragonboat Festival (11) The white light (12) Some rabbits & a cat (13) A comedy of ducks (14) Village opera (15) New Year's sacrifice (16) Upstairs in a wineshop (17) A happy family (18) Soap (19) The eternal lamp (20) A warning to the people (21) The venerable schoolmaster Gao (22) The loner (23) Mourning the dead (24) Brothers (25) Divorce.
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