Rabu, 27 Januari 2016

* Ebook The Virginian, by Owen Wister

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The Virginian, by Owen Wister

The Virginian, by Owen Wister



The Virginian, by Owen Wister

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The Virginian, by Owen Wister

The Virginian, by Owen Wister. Owen Wister was American writer and "father" of western fiction (1860-1938).

  • Published on: 2015-02-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .72" w x 6.00" l, .94 pounds
  • Binding: Paperback
  • 318 pages

About the Author
Owen Wister (July 14, 1860 – July 21, 1938) was an American writer and "father" of western fiction. Wister began his literary work in 1891. He had spent several summers out in the American West, making his first trip to Wyoming in 1885. Like his friend Teddy Roosevelt, Wister was fascinated with the culture, lore and terrain of the region. On an 1893 visit to Yellowstone, Wister met the western artist Frederic Remington who remained a lifelong friend. When he started writing, he naturally inclined towards fiction set on the western frontier. Wister's most famous work remains the 1902 novel The Virginian, the loosely constructed story of a cowboy who is a natural aristocrat, set against a highly mythologized version of the Johnson County War and taking the side of the large land owners. This is widely regarded as being the first cowboy novel and was reprinted fourteen times in eight months. The book was written in the library of The Philadelphia Club, where Wister was a member, and is dedicated to Theodore Roosevelt.

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0 of 0 people found the following review helpful.
Captivating with no vulgarity.
By Kindle Customer Bob
Excellent. Superbly written. Fascinating analysis of many facets of the human nature. Captivating with no vulgarity. Clzassic prose.

0 of 0 people found the following review helpful.
Three Stars
By Belen
It was fun reading but could get a bit slow at times.

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Selasa, 26 Januari 2016

> PDF Ebook An American Dream: A Novel, by Norman Mailer

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An American Dream: A Novel, by Norman Mailer

In this wild battering ram of a novel, which was originally published to vast controversy in 1965, Norman Mailer creates a character who might be a fictional precursor of the philosopher-killer he would later profile in The Executioner’s Song. As Stephen Rojack, a decorated war hero and former congressman who murders his wife in a fashionable New York City high-rise, runs amok through the city in which he was once a privileged citizen, Mailer peels away the layers of our social norms to reveal a world of pure appetite and relentless cruelty. One part Nietzsche, one part de Sade, and one part Charlie Parker, An American Dream grabs the reader by the throat and refuses to let go.
 
Praise for An American Dream
 
“Perhaps the only serious New York novel since The Great Gatsby.”—Joan Didion, National Review
 
“A devil’s encyclopedia of our secret visions and desires . . . the expression of a devastatingly alive and original creative mind.”—Life
 
“A work of fierce concentration . . . perfectly, and often brilliantly, realistic [with] a pattern of remarkable imaginative coherence and intensity.”—Harper’s
 
“At once violent, educated, and cool . . . This is our history as Hawthorne might have written it.”—Commentary
 
Praise for Norman Mailer
 
“[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times
 
“A writer of the greatest and most reckless talent.”—The New Yorker
 
“Mailer is indispensable, an American treasure.”—The Washington Post
 
“A devastatingly alive and original creative mind.”—Life
 
“Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books
 
“The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune
 
“Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post

  • Sales Rank: #515467 in Books
  • Brand: Mailer, Norman
  • Published on: 2015-02-17
  • Released on: 2015-02-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .60" w x 5.30" l, .81 pounds
  • Binding: Paperback
  • 288 pages

Review
Praise for An American Dream
 
“Perhaps the only serious New York novel since The Great Gatsby.”—Joan Didion, National Review
 
“A devil’s encyclopedia of our secret visions and desires . . . the expression of a devastatingly alive and original creative mind.”—Life
 
“A work of fierce concentration . . . perfectly, and often brilliantly, realistic [with] a pattern of remarkable imaginative coherence and intensity.”—Harper’s
 
“At once violent, educated, and cool . . . This is our history as Hawthorne might have written it.”—Commentary
 
Praise for Norman Mailer
 
“[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times
 
“A writer of the greatest and most reckless talent.”—The New Yorker
 
“Mailer is indispensable, an American treasure.”—The Washington Post
 
“A devastatingly alive and original creative mind.”—Life
 
“Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books
 
“The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune
 
“Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post

About the Author
Born in 1923 in Long Branch, New Jersey, and raised in Brooklyn, New York, Norman Mailer was one of the most influential writers of the second half of the twentieth century and a leading public intellectual for nearly sixty years. He is the author of more than thirty books. The Castle in the Forest, his last novel, was his eleventh New York Times bestseller. His first novel, The Naked and the Dead, has never gone out of print. His 1968 nonfiction narrative, The Armies of the Night, won the Pulitzer Prize and the National Book Award. He won a second Pulitzer for The Executioner’s Song and is the only person to have won Pulitzers in both fiction and nonfiction. Five of his books were nominated for National Book Awards, and he won a lifetime achievement award from the National Book Foundation in 2005. Mr. Mailer died in 2007 in New York City.

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44 of 48 people found the following review helpful.
Dark Genius
By Ted Burke
Mailer's meditation on violence and evil will not be every one's idea of a good novel to read on the beach, but An American Dream is a fully realized male fantasy wherein one set-upon, White, alcoholic, protagonist berserks himself into sequential delirium fueled rages to rid himself of the crushing banality of the culture that he feels is killing him by the inch. To do this, he commits a series of violent and insane acts, in an alcoholic haze; challenges sent him by the moon (really) whose successful completion might give him a hint of the freedom he dreams is beyond the neon-lit tarp of the Manhattan skyline. This pilgrim's progress is nothing short of an obscene fantasy, wherein our hero, a decorated war hero, former congressman and talk show host, strangles his maddening estranged wife, buggers the German maid, steals a Mafia Don's girl friend, and proceeds, in 24 hours, to lie and deceive the New York City Police Department, the Mob, with intimations that the FBI and CIA are involved invisibly in the mess he created. The plot, of course, is lurid, absurd and the product of a particular time, but Mailer's novel comes at a time when the Hemingway cult of quiet, a manly stoicism managed through a singular, privately held code of honor, was exhausted of compelling narrative potential. Mailer's idea was to see what would happen if the man who might have been the Hemingway hero, suffering his hurts in some poetic privacy, have instead a psychotic break.

Gone, we see, is the hard-carved minimalism of the Hemingway style, with Mailer offering a delirious metaphorical ride through the ugly side of individual realization. His character, Stephen Rozack, is akin to King Lear in the rain, gone insane precisely because he no longer has the staging guiding his eye and thinking. In the clutch of his tantrums, the world finally seems to pull back its shroud and reveal the shape and purring function of its true nature; Rozack sees cities of diamonds, rains of falling stars, he smells and tastes those things never served on a plate. Mailer's great chains of metaphors deliver a dissolving sensibility that sees, fleetingly, the way everything is connected ,the hand of an anonymous God directing His actors in ways unannounced and never explained. Rid of the props and story lines, there is nothing left, an emptiness that can only be filled with increasing amounts of destruction. This is a riveting, wild, and enthralling exploration into the romanticizing of prescriptive violence. Troubling, agitated, problematic for great numbers of readers, a brilliant novel despite its flaws. It may be even because of the flaws--the unreal dialogue, the haphazard cramming of a week's worth of events into a single 24 hour period--that bring the long runs of sentences shriek and burn so splendidly, as there is the sense Rojack's state is a dream within which he must confront and conquer every blatant and disguised dread. The crash and slam of the plot dynamics--bear in mind that there is very little slack space here where one is allowed to rest and gather their wits in the midst of this ludicrous plot--get an intensity of feeling just right, that the world and the things in it are crushing down upon you, and your only option in the delirium is to obey the first fleeting voice that commands to respond, attack, destroy that which is killing you by the psychic inch. Mailer had written in his infamous essay "The White Negro" that it was one's moral responsibility to "encourage the psychopath within oneself" so to be able to experience greater and more expansive perceptions, to generate a new knowledge violently dislodged from murderous conformism. In An American Dream, he conducts a fictional field study of his theory by setting it loose in the plot of a novel, and the results are exhilarating as they are nearly unspeakable. Tom Wolfe, I remember, was not a fan of the novel, suggesting in a review that Mailer "lards up" his prose with too many allusions, metaphors and similes when he ought to have taken a hint from James M.Cain and fashioned a terser, blunter style.

He used Mailer's running metaphor of boxing and compared him to a fighter who needed to get out of his corner faster. I differ with Wolfe's conclusions and tend to agree with the late critic Richard Poirier's reading of the novel, which considered "An American Dream" a compelling delirium of language styles fused together, the elegant, the surreal, the jazzy and slang-infested, the terse and the verbose, in a spectacular, intoxicating sweep. The point of the novel was to reveal Stephen Rozack's festering self-doubt despite his nominal accomplishments as both war hero and media figure, and his deranged attempts to save what he considers his soul. Mailer's novel is an interior view of a break down, an interiorized version of Lear's final speech. A reader who might be intrigued by Mailer's fictional realization of his existential anti-hero/hipster/White Negro wouldn't be wrong to think that the author himself is disturbed by the furthest reach of his imaginative takes on the purgative value of sudden and decisive violence. Indeed, from this point on, Mailer's ideas about violence and power come with more caution, nuance, and in a brilliant turn to begin his moral argument about the cause of aggression in the culture, he penned his brief, obscene and fantastically incandescent novel Why Are We In Viet Nam: if Stephen Rojack was the result of an psychically emasculated man given in to floating voices and lunar impulses in the wan hope of being delivered from what is killing him by the inch, only to become only a more complicated expression of those mechanisms that generate the larger , global evil, Why Are We in Viet Nam? takes the more expansive view. The question isn't answered, nor is Viet Nam even mentioned until the last page of the book, yet by the time you reach the end of this brief and ingeniously offered account of an Alaskan bear hunt, we've gone through something primordial, a cultural conditioning that produces a need for violence at the most rudimentary level of the culture.

Mailer's habit of romanticizing violence and macho performances ends with this second book, and the serious shift into the causes, conditions of our troubles begins in earnest, leading Mailer through a fantastic series of novels and nonfiction. He dared what other literary writers only feigned and actively engaged the world in ways and manners that he thought would make reality surrender some of its secrets. The hope, of course, would be that he might be able to change the way men and women viewed themselves in a political reality that had stripped the individual of all creative drive, and hence empower them to change the substance of their world. Grand ambition, yes, and a failed enterprise, but in the attempt are left a string of brilliant books -- The Naked and the Dead, The Executioner's Song, Why are We In Viet Nam, Armies of the Night, An American Dream, Harlot's Ghost, -- that, among others, form a body of work at once daring, daunting, vain and arrogant, preening, breathtakingly on target, raunchy, clipped, rich and rolling and lyrical like the grandest music. An infuriating writer, yes, but even so one who's work stands tall in the era in which he wrote.

14 of 15 people found the following review helpful.
Nightmarish read
By scott gates
This is my first Mailer novel and i was worried that it would be boring and journalistic. But I was hugely surprised at how bizzare and subjective the imagery was - imagery which seizes upon the mind almost violently. The world of Stephen Rojack is drunken, amoral, and continually teetering between the shadowy, nightmarish underworld, and the respectable day to day world. This book in many ways does read as some awful dream, a dream in which the moon speaks to you, the ledge outside begs to be walked on as a test of courage, and murder is seen as some type of primitive, sexual release. Being somewhat sentimental I can only like a novel like this so much (I did not become attached to the characters, or want to immerse myself in the world of this novel), but that does not take away from the fact that this is a really enjoyable novel, even though I was almost relieved when I was finished. This book is like when you have an awful nightmare that keeps you up all night, and even though the nighmare terrified you, you cant help thinking about how interesting the images and mental landscape of the dream was. That being said I am definitely looking forward to more Mailer because he obviously has original talent.

15 of 18 people found the following review helpful.
A wonderfully sick satire.
By E. Steven Fried
I had two expectations of this book that bore no fruit. An english teacher I had at Columbia described the plot in such a manner as to make one feel the protagonist would be such a repulsive character as to be unfollowable and several postings on this site suggested that the narrative would be so congested with stream-of-consciousness discourse as to be unreadable. Well, Stephen Rojack may be a wife murdering, hard drinking, womanizing, sodomite, but he's the most charming character in the book and the manner in which he conveys his thoughts couldn't be more lucid and engaging than Philip Marlowe. This is a very consciously pulp novel that plays on comic book and hollywood conventions, a satirical nightmare that shouldn't be taken any more as fact than Hunter Thompson's maniacal binges in Las Vegas. The best way to imagine this book is to picture it as a stark, contrasty b+w movie directed by Stanley Kubrick from a script by Terry Southern. Sterling Hayden would be in the lead role and Liz Taylor would be the wife with Angie Dickinson as Cherry and Sammy Davis Junior as Shago and Lynn Redgrave as Ruta.

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# Download PDF The Mysteries of Udolpho: A Romance (Penguin Classics), by Ann Radcliffe

Download PDF The Mysteries of Udolpho: A Romance (Penguin Classics), by Ann Radcliffe

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The Mysteries of Udolpho: A Romance (Penguin Classics), by Ann Radcliffe

The Mysteries of Udolpho: A Romance (Penguin Classics), by Ann Radcliffe



The Mysteries of Udolpho: A Romance (Penguin Classics), by Ann Radcliffe

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The Mysteries of Udolpho: A Romance (Penguin Classics), by Ann Radcliffe

Follow the fortunes of Emily St. Aubert who suffers, among other misadventures, the death of her father, supernatural terrors in a gloomy castle, and the machinations of an Italian brigand. Considered by many to be the first "Gothic" novel.

  • Sales Rank: #341816 in eBooks
  • Published on: 2015-02-13
  • Released on: 2015-02-13
  • Format: Kindle eBook

About the Author

Terry Castle is Professor of English at Stanford University.

Most helpful customer reviews

110 of 115 people found the following review helpful.
Literary Perfection
By Daniel Jolley
I fear I don't have the words to fully explain just how important, enjoyable, and breath-taking this novel is to me; The Mysteries of Udolpho is simply one of the greatest written works ever produced. While this is a Gothic novel, arguably the greatest Gothic novel ever written, it is so much more than that. "Gothic" denotes dark castles, spectral haunts, dastardly deeds performed by cruel, mysterious men--certainly these elements are here. However, a large portion of this novel is simply beautiful--no one I know of has ever described the simple grandeur of life and nature or waxed more poetically on the noble merits of love and honor as does Ann Radcliffe.
Emily is one of the most memorable characters in all of fiction. To be frank, I simply fell in love with her. Through her, I was able to not only see but to better appreciate life itself and the simple beauties it manifests. When she was hurt or pained, I shared her sorrow; many times, I felt compelled to jump up and somehow defend her against the monstrous injustices inflicted upon her. I admired her morality and deep commitment to honor, a commitment so deep that she sacrificed in deference to it her own deep love for Valancourt, a love so deep that it alone allowed her to withstand the horrors of Count Montoni and the castle of Udolpho. Certainly, Emily is very sensitive and overdramatic, and she does tend to faint a lot, but she is a pure angel to someone like myself who is a Victorian at heart.
The Gothic horror is very well done, but it does not take up nearly as much of the novel as I had anticipated. Radcliffe can bring chills to readers even today. The description of someone's silent entry by night into Emily's room is spine-tingling, as are the descriptions of Emily's reluctant journeys down to the catacombs beneath the castle. The wide-eyed Annette's rambling descriptions of supernatural manifestations feed Emily's and the reader's own fears. Emily escapes from the nefarious castle about two-thirds of the way through the novel, but a number of strange events at Chateau-le-Blanc quickly serve to return the reader to the dark dimensions of fright. At that point, I wondered how so much story could be left to tell, but Radcliffe introduced new characters and new situations as compelling as those that had come before and succeeded in absorbing me even further into this world of her creation. Lady Blanche inspired in me many of the feelings I felt for Emily, and the resulting story not only added much to the experience of this novel but ultimately helped to tie many threads together. The experience of Emily and Annette in the late Countess' room, shut up for 20 years since the lady's mysterious death, was as frightening as any scene that took place inside the walls of Udolpho. I did worry as I neared the final pages that Radcliffe would not successfully explain everything that had taken place or would leave some loose ends dangling--the only thing I was left wondering, however, was what happened to the dog Emily took with her to Udolpho after she escaped.
I wish I could mention all of the wonderful characters and all of the scenes and events, both beautiful and horrific, to be found in these pages. These were times when I literally had to put one hand across the page to keep from jumping ahead to see what was about to happen. I do want to stress the beauty and romance of the novel because these aspects are overshadowed by the perception people have of Gothic literature. The story of Emily and Valancourt is one of the greatest love stories in literature. Future readers, please don't pick the novel up until such a time as you are truly committed to reading it; it is rather long, and this is not a novel you will want to lay aside for several days at a time. Also, the first 100 pages or so are somewhat hard to get through. Radcliffe paints a living portrait of nature in these pages, describing more details than I could ever even hope to witness. You won't encounter the Gothic horror you may be expecting until you get rather deeply into the story, so keep that in mind. Approach this novel as you would a work of art because that is exactly what it is.

62 of 65 people found the following review helpful.
Buy from Quality Classics instead
By Cspinesrgn
I agree with the first reviewer and wish I had read the review before starting the book. Many sentences are left hanging. When I downloaded a Quality Classics edition for 99 cents I discovered that all poetry is left out of this free book. The poetry is not just fluff. It is crucial to the book so do not waste your time with this free edition.

53 of 56 people found the following review helpful.
free kindle edition
By japaul
I haven't read the book yet, but this free kindle edition does not include all of the text. It leaves out all of the poetry which seems to be important to the plot. I suggest buying a different version for the kindle.

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Sabtu, 23 Januari 2016

@ Download PDF Dracula, by Bram Stoker

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Dracula, by Bram Stoker

Famous for introducing the character of the vampire Count Dracula, the novel tells the story of Dracula's attempt to move from Transylvania to England so he may find new blood and spread the undead curse, and the battle between Dracula and a small group of men and women led by Professor Abraham Van Helsing.
Dracula has been assigned to many literary genres including vampire literature, horror fiction, the gothic novel and invasion literature. The novel touches on themes such as the role of women in Victorian culture, sexual conventions, immigration, colonialism, and post-colonialism. Although Stoker did not invent the vampire, he defined its modern form, and the novel has spawned numerous theatrical, film and television interpretations.

  • Sales Rank: #468248 in eBooks
  • Published on: 2015-02-01
  • Released on: 2015-02-01
  • Format: Kindle eBook

Amazon.com Review
Dracula is one of the few horror books to be honored by inclusion in the Norton Critical Edition series. (The others are Frankenstein, The Turn of the Screw, Heart of Darkness, The Picture of Dorian Gray, and The Metamorphosis.) This 100th-anniversary edition includes not only the complete authoritative text of the novel with illuminating footnotes, but also four contextual essays, five reviews from the time of publication, five articles on dramatic and film variations, and seven selections from literary and academic criticism. Nina Auerbach of the University of Pennsylvania (author of Our Vampires, Ourselves) and horror scholar David J. Skal (author of Hollywood Gothic, The Monster Show, and Screams of Reason) are the editors of the volume. Especially fascinating are excerpts from materials that Bram Stoker consulted in his research for the book, and his working papers over the several years he was composing it. The selection of criticism includes essays on how Dracula deals with female sexuality, gender inversion, homoerotic elements, and Victorian fears of "reverse colonization" by politically turbulent Transylvania.

From School Library Journal
Grade 7 Up?A naive young Englishman travels to Transylvania to do business with a client, Count Dracula. After showing his true and terrifying colors, Dracula boards a ship for England in search of new, fresh blood. Unexplained disasters begin to occur in the streets of London before the mystery and the evil doer are finally put to rest. Told in a series of news reports from eyewitness observers to writers of personal diaries, this has a ring of believability that counterbalances nicely with Dracula's too-macabre-to-be-true exploits. An array of voices from talented actors makes for interesting variety. The generous use of sound effects, from train whistles to creaking doors, adds further atmosphere. Lovers of mysteries and horror will find rousing entertainment in this version of a classic tale.?Carol Katz, Harrison Public Library, NY
Copyright 1998 Reed Business Information, Inc.

From Library Journal
The Dover volume collects 14 of Stoker's lesser-known horror stories such as "The Crystal Cup," "The Burial of the Rats," and "A Gipsey Prophecy." Though most of his other fiction has been overshadowed by Dracula, these offer some real chills and warrant reading. While editions of Dracula, which celebrated its centennial in 1997, are legion, Broadview's offers several extras, including a chronology of Stoker's life and appendixes on Transylvania, London, Mental Physiology, Reviews and Interviews, and more. That along with the full text make this one of the best editions available, especially at this remarkable price.
Copyright 1998 Reed Business Information, Inc.

Most helpful customer reviews

237 of 252 people found the following review helpful.
Easily the best horror novel ever written
By Daniel Jolley
Bram Stoker's Dracula is, hands down, the greatest horror novel ever written. In addition, it is also an enduring classic of literature. You may have seen every Dracula movie ever made, but you do not know the real Count Dracula until such time as you have read Stoker's book. Of course, unless you have been living under a rock, you will know the general plot line, but I assure you there is a wealth of rich material buried throughout the text that is sure to excite, intrigue, and surprise you. Perhaps the ending is a slight anticlimactic, yet I, having read this novel before and being quite familiar with the Count, read the final pages with bated breath, an anxious mind, and the sense of exhilaration that only the most talented of writers can induce.
The most striking characteristic of Stoker's masterpiece is its solid grounding in late 19th-century Victorianism. This may prove frustrating to some readers. It is far from uncommon for the men in the tale to weep and bemoan the dangers threatening the virtuous ladies Lucy and Mina; virtue and innocence of women are hailed rather religiously. Mina, for her part, assumes the role then deemed proper for women, accepting and praising the men for their protection of her, worrying constantly about her husband rather than herself, shedding tears she must not let her husband see, etc. Yet, it is most interesting to see Mina rise above the circle of a woman's proscribed duties; she in fact becomes a true partner in the effort against Dracula, expressing ideas and conclusions that the men, with all of their wisdom, could not come up with themselves.
Another thing I find interesting is the lack of a clear protagonist in Dracula. Technically, I suppose, Jonathon Harker is the protagonist, but Mina, Dr. Van Helsing, Dr. Seward, and the Count himself basically operate on an equal plane with him. It is Van Helsing who can be described as the anti-Dracula; he plans the moves by which he and his friends seek to thwart the Count's plans and destroy him; the second half of the novel can be compared to a chess match between two equally strong competitors. Minor characters such as the lunatic Renfield are also drawn clearly in our mind's eye by Stoker's incredible gift of characterization. While the format is unusual--the novel consisting fully of diary and journal entries by different characters--you cannot help but be drawn in closely to the group of heroic souls who pledge their very lives to one another as they take it upon themselves to combat a centuries-old evil.
One could expound upon a number of themes in this novel (and many literary critics have certainly done so), so I will just quickly mention a few. Is this an erotic story? Certainly, to some extent, but there is certainly nothing overtly sexual in these pages. Is it really horrible? One might wonder how much blood one would encounter in this product of the Victorian age, but there are indeed some rather shockingly gruesome descriptions of events--nothing to shock modern readers but probably quite surprising to Stoker's contemporaries. There are also subtle overtones of religion in these pages. Aside from the Christian objects that have the power to keep vampires at bay, the most striking scene in the novel is Dracula's perversion of the Lord's Supper in his own most nefarious deed.
I cannot recommend Stoker's masterpiece highly enough. The impatient reader may encounter sections that move too slowly than he/she would like, but such lulls are always wiped away by sudden spurts of activity and drama. Feminists will dislike the Victorian characterization of the women but can find unexpected pleasure in the strength and intellect of Mina. Literary critics will surely find in these pages a deep ocean of issues ripe for analysis. Of most importance, the common reader will find an absorbing storyline which may horrify him/her to some degree in places but which will certainly offer great rewards of enjoyment. I think most individuals would be won over completely by the great humanity of these characters and the unexpected richness and complexity to be found in this story of a fiend they thought they already knew.

194 of 211 people found the following review helpful.
Brilliant
By Michael P. Mcgeehan
I have never read the novel "Dracula" but with it being absolutely free for my absolutely wonderful Kindle, I decided to give it a shot. The book is written entirely in correspondence from the characters; letters to each other, diary entries, telegrams, etc. While I did have to use my built-in Kindle dictionary many times with the big (or antiquated) words, the book flowed freely and was a surprisingly easy read. Certain scenes were downright chilling. What's truly amazing is Stoker's creation of such an incredible monster that has stood the test of time.

52 of 53 people found the following review helpful.
Misunderstood Classic
By A Customer
One of the scariest books in history, DRACULA is nevertheless misunderstood. Our civilization is removed from the Victorian era. We think of it as somehow distant and quaint, and ourselves as modern. But when Bram Stoker published DRACULA in 1897, the Victorian era _was_ modern. Stoker meant to make the book more frightening than most books by bringing an ancient horror into a modern, anti-superstitious world. He uses typewriters and phonograph disks the way a modern writer would refer to the internet and e-mail. DRACULA's first readers might've looked out of their town or country houses and expected to see Dracula's gaunt figure emerging through the fog.
He tells the story through a series of diaries, letters, clippings. Normally this is an unweildy method of storytelling, but in this case it is most effective.
The novel is divided into three broad sections. In the first, young Jonathan Harker and Dracula have the stage almost alone. Though Harker's diary we learn details of his journey through eastern Europe to meet a Count who wants to travel to England, and Harker carries him certain important papers. Count Dracula's character comes across very strong and well-defined, and grows ever menacing as Harker slowly learns he is not going to be allowed back to England, but will become food for Dracula's vampiric harem.
The second part of the book, set in England, deals with Mina Murray, who is going to marry Jonathan; Mina's friend Lucy; three men who are in love with Lucy; and a good-hearted but mysterious Ductch doctor, Abraham van Helsing. The bulk of this part deals with Lucy's mysterious disease, her decline to death, and her transformation into a vampire that her suitors must destroy out of love. Dracula appears only fleetingly through the book, but the reader knows what happens, and suspects the cause of Lucy's decline.
In the last part, Jonathan, Mina, and Lucy's three lovers band with Dr. von Helsing in a pact to destroy Dracula before he can spread his contagion throughout England; and meanwhile, Dracula wreaks his vengeance on them for taking Lucy from him.
Stoker uses many ways of approaching his subject. Occasionally the horror is direct; but once it is established, he makes it subtle, working behind the scenes, in a way that may be even more frightening. Though he also uses different voices, his prose is invariably fine. And as each character has to overcome his aversion to ancient superstition and face Dracula with a mind open to the fact that there's more in the world than science and technology and late-Victorian materialism can contain, the book becomes eerily meaningful for the twenty-first century.
Modern purveyors of vampiric fiction dispense with the blatant Christian symbolism used to fight Dracula's ilk, such as a crucifix or sanctified host, or prayer. They also turn the evil of Dracula topsy-turvey and somehow invent sympathy for soulless monsters who view living humans as food. Stoker doesn't hesitate to show Dracula as an evil, totalitarian horror; as a contagion that must be eradicated; as an enslaver of women, like Lucy, and men, like poor Renfield. And Stoker has reason enough to realized that only Supernatural agencies could fight the supernatural. The saving Blood of Christ on the Cross, blood of which a soulless terror like Dracula cannot drink, is the most effective symbol for fighting and defeating this brand of evil. It was part of the novel's consistency that as the characters have to come to grips with the reality of ancient evil, they must also return to the symbols of good that they also have rejected in a narrow-minded embracing of the modern.
Dracula, the strongest character in Victorian fiction, does not weaken himself by the need to be "understood" or "pitied". He will destroy or be destroyed. And the worst destruction that could happen to him would be mitigation.
DRACULA may be the scariest book ever written; it's certainly the best of the classic horror stories. It's well-crafted and exquisitely constructed enough that it stands as a great novel even without genre pigeonholing.

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Jumat, 22 Januari 2016

* Download Les Miserables: Children's Edition, by Matthew Larsen, Victor Hugo

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Les Miserables: Children's Edition, by Matthew Larsen, Victor Hugo

The classic tale of Les Miserables abridged for a ten year old child, yet still enjoyable for an adult of any age.

  • Sales Rank: #840614 in eBooks
  • Published on: 2015-02-23
  • Released on: 2015-02-23
  • Format: Kindle eBook

Most helpful customer reviews

3 of 3 people found the following review helpful.
great edition, good for kids or adults!
By Deborah J Christiansen
The book is a great little kindle book that is a children's version of the longer book. I believe the targeted age is about 10 and older, but don't let the word "children" fool you...I think anyone, any age could read and enjoy this book! That being said, I think that Larsen did a great job at taking some deeper plot issues and making them easier to read and understand for a 10 year old. Fantine, for example was done really well. I think my kids could read this section and understand the sacrifice that she was making, without having to know some of the nitty gritty details.

I found the book easy to read and was able to enjoy the book in about a day. There is no way I could do that with the original version. The book was a great little escape into a classic book, that allowed me to dive into it and feel the story, without having to commit to the time it would have taken to read otherwise.But at the same time I really felt this didn't lack on the plot lines or character development. By the end of the book I was pretty emotionally tied to the characters.

Great book!

1 of 1 people found the following review helpful.
How?
By Shams Syed
Led miserables is a beautiful tale that teaches you the essence of life. I base my few sentences on the original tale. This version is a perfect summary.

1 of 1 people found the following review helpful.
Five Stars
By Cookdaddy70
Very good forgiving your kids an introduction to the classic tale.

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"[...] “Have I not done so? Liot is the best of men.” “And the best of men are but men at best. It is not of Liot I think, but of Liot’s money; he is but poor, and you know little of him. Those before us have said wisely, ‘Ere you run in double harness, look well to the other horse.’” “My heart tells me that I have done right, aunt.”[...]".

  • Published on: 2015-02-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .33" w x 6.00" l, .38 pounds
  • Binding: Paperback
  • 146 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Simple and eloquent
By Not My Real Name
Overall, the story is exceptionally well told, original, Christian, and of a refreshingly creative quality. It raises in my mind two compelling questions every person of conscience asks him- or herself: is redemption equally open to all? And: what action is good allowed to take against evil? Violent internal conflicts arise between faith and fate, between legalism and grace, and between duty and dignity. These conflicts generate powerful crises in the lives of the more respectable characters. It is, however, the realm of conscience which is the central battleground for the mind of the story's main characters: Liot and David Borson.

Thesis: Without giving too much away and just to set up the background, the story centers on the psychological and spiritual development of two men. The first is Liot Borson, a handsome but financially meager raconteur-peasant in Lerwick, Scotland. Liot is a man plagued by deep sadness and cruel conscience but finds love in Karen Sabiston. The fulfillment of their love, however, is doomed from its inception both by a haughty aunt and a lecherous visiting sea-captain. I initially thought that this relationship between Liot and Karen would be the subject of the book, but it is rather only one of several events portraying the dark internal struggle within Liot, a battle between tribal indignation and Calvinist forbearance.
The second man is David Borson, Liot's son. David in many ways is the "second chance" of his father's mistakes, as he is prisoner to the same (but in a different isomorphism) cruel conscience and fate which tormented his father. Much of the remainder of the story is reminiscent of Robert Service's poem "The Men Who Don't Fit In", in that neither Liot nor David is comfortable in his own skin, and each suffers from the emulsion of Calvinistic arrogance with ignorance and shame.

Analysis: Barr makes repetitive interesting circular use of metaphor. First, Liot is fond of telling the story of the mythical Gisli, who was an atavistic hero in the Norwegian (his ancestral race) Bor. Gisli was a brave but ungrateful warrior predestined to endless misfortune, forming a type for Liot. Further, events in both Liot's and David's hearts seem to parallel those in later life. For instance, in a reverse Picture-of-Dorian-Gray sense, Liot's sanctimonious suppression of guilt in the early phase of the story eventually destroys something incredibly precious in real life. The parallel between morality and destiny has strong cross-pollination with prophecy in the Old Testament of future captivity or liberty in exchange for Israel's obedience.

Style: has an old English vibe to it. Every five or six sentences are constructed in a kind of KJV syntax, which despite having been written in 1897 is slightly peevish ("life-days" instead of "life", "good sleep" instead of "good night", etc.) but this odd syntax helps describe the universe Barr imagined. There are few adjectives and adverbs (a mark of quality writing). Also, a good balance between narration and dialogue is present, and for those who love wisdom, there is plenty of it here in almost Solomonic form. The story cultivates the humanity in the reader, and the story it presents is so well written it brought tears to my eyes more than once, but it is in the end proportionately redeeming. This bittersweet aspect of the plot is such a verisimilitude to life itself that it's easy to lose yourself in the pages as if you were there.

0 of 0 people found the following review helpful.
Calvinism of the past
By patrick
A study in Calvinism and the dilemma of predestination, sin and suffering. In the end God's love is sufficient yet incomprehensible.

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Rabu, 20 Januari 2016

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"[...]neither. I’ve had a horror of cats myself from a gal. They’re that stealthy and treacherous, you never know where they mayn’t be hiding, or when they won’t spring out at you. If ever I catch it up here I shall bannock it down again.” There was evidently no sympathy to be looked for from Nurse Smith; but Ruth was used to keeping her thoughts and plans to herself, and did not miss it much. As she could not talk about it, however, she thought of her new acquaintance all the more; it was indeed seldom out of her [...]".

  • Published on: 2015-02-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .8" w x 6.00" l, .14 pounds
  • Binding: Paperback
  • 32 pages

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0 of 0 people found the following review helpful.
amy walton
By Catherine Worner
best story i ever read. my little sister loves it.i have no favorite part beacause i loved it all. it experianed me to love everything it is sort of a sad story at some parts. but i loved it.

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Senin, 18 Januari 2016

~~ Fee Download Frankenstein, by Mary Shelley

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Frankenstein, by Mary Shelley

Frankenstein is a novel written by English author Mary Shelley about eccentric scientist Victor Frankenstein, who creates a grotesque but sentient creature in an unorthodox scientific experiment. Shelley started writing the story when she was eighteen, and the novel was published when she was twenty. The first edition was published anonymously in London in 1818. Shelley's name appears on the second edition, published in France in 1823.
Frankenstein is infused with elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. Brian Aldiss has argued that it should be considered the first true science fiction story, because unlike in previous stories with fantastical elements resembling those of later science fiction, the central character "makes a deliberate decision" and "turns to modern experiments in the laboratory" to achieve fantastic results. It has had a considerable influence across literature and popular culture and spawned a complete genre of horror stories, films, and plays.

  • Sales Rank: #1444249 in eBooks
  • Published on: 2015-02-07
  • Released on: 2015-02-07
  • Format: Kindle eBook

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0 of 0 people found the following review helpful.
"Cursed, cursed creator." - The monster
By Bernie
The commentary tries to give depth and meaning to this poorly written story.

Victor grew up reading the works of Paracelsus, Agrippa, and Albertus Magnus, the alchemists of the time. Toss in a little natural philosophy (sciences) and you have the making of a monster. Or at least a being that after being spurned for looking ugly becomes ugly. So for revenge the creature decides unless Victor makes another (female this time) creature, that Victor will also suffer the loss of friends and relatives. What is victor to do? Bow to the wishes and needs of his creation? Or challenge it to the death? What would you do?

Although the concept of the monster is good, and the conflicts of the story well thought out, Shelly suffers from the writing style of the time. Many people do not finish the book as the language is stilted and verbose for example when was the last time you said, "Little did I then expect the calamity that was in a few moments to overwhelm me and extinguish in horror and despair all fear of ignominy of death."
Much of the book seems like travel log filler. More time describing the surroundings of Europe than the reason for traveling or just traveling. Many writers use traveling to reflect time passing or the character growing in stature or knowledge. In this story they just travel a lot.

This book is definitely worth plodding through for moviegoers. The record needs to be set strait. First shock is that the creator is named Victor Frankenstein; the creature is just "monster" not Frankenstein. And it is Victor that is backwards which added in him doing the impossible by not knowing any better. The monster is well read in "Sorrows of a Young Werther," "Paradise Lost," and Plutarch's "Lives." The debate (mixed with a few murders) rages on as to whether the monster was doing evil because of his nature or because he was spurned?

0 of 0 people found the following review helpful.
Dramatic
By Dee Price
If you want to read something for the dramatic dialog, the Victorian descriptions and wording, and imagined horror, read this.

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Kamis, 14 Januari 2016

** Ebook Download Billy Liar on the Moon (Valancourt 20th Century Classics), by Keith Waterhouse

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Billy Liar on the Moon (Valancourt 20th Century Classics), by Keith Waterhouse

'The funniest book I've read for years' - The Times (London)

'Among the few great writers of our time' - Auberon Waugh, The Independent

'Well written and amusing' - Library Journal

Keith Waterhouse's comic masterpiece Billy Liar (1959) introduced us to Billy Fisher, a seventeen-year-old undertaker's clerk whose inability to tell the truth led him into constant (and often hilarious) trouble with his parents, his employer, and his three girlfriends. It was a smash success, becoming a bestseller and winning widespread acclaim for both the novel and the classic film adaptation.

In this 1975 sequel, Billy is thirty-three but still hasn't grown out of his propensity for lying. Stuck in a loveless marriage in a dismal town, where he has a dead-end job in local government, Billy seeks escape through his affair with Helen, who is also unhappily married. But once again he finds himself in danger of being undone by his lies: vodka martinis charged to his expense account, a wise-cracking alter ego named Oscar, a false police report about a stolen set of nonexistent golf clubs, an imaginary cat named 'Mr Pussy-paws' . . . Now the all-important town festival is approaching, but instead of doing the planning, Billy is busy trying to keep ahead of the suspicions of his wife, the police, and Helen's jealous husband. It all leads up to a disastrous and uproarious conclusion that The Times called 'side-achingly, laugh-aloud funny'. This edition includes a new introduction by Alice Ferrebe.

  • Sales Rank: #4932228 in Books
  • Published on: 2015-02-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .45" w x 5.00" l, .47 pounds
  • Binding: Paperback
  • 194 pages

About the Author
Keith Waterhouse (1929 2009) was a British novelist, newspaper columnist, playwright, and screen writer. He wrote thirteen novels, seven works of nonfiction, and seven collections of journalism. He wrote a column for the "Daily Mirror "for twenty-six years and one for the "Daily Mail "for twenty-three years.

Most helpful customer reviews

7 of 8 people found the following review helpful.
WHILE WATERHOUSE SURVIVES, SO DOES ENGLISH LITERATURE.
By A Customer
Keith Waterhouse represents to me a true descendent of the 'great tradition'. His novels, both the 'light' and the more serious (and note that Waterhouse is always funny, even at his darkest moments) concern far more than just the individual. His work is always concerned with the individual in the wider world, and his tales of personal neurosis and obsession are inextricably interwoven with sharp social commentary. Like Dickens, he imitates flawlessly peoples manner of speech and depicts their physical appearance and deportment in a way that is illuminating, provocative and frequently hilarious.
Waterhouse uses humour in a sharp satiric way, and the obsessions of his characters (Waterhouse's characters are always a neurotic bunch) are portrayed so that they connect with the setting and matter of the story.
As ever, Waterhouse works into this wondrous microcosm affairs, both promiscuous and family, and ties it all together, to give a portrait of the individual in our chaotic modern world that makes real sense.
Only time will tell as to whether Keith Waterhouse will be remembered as a major or minor novelist, but I should like to say here that I consider him 'great', on some level or other, and hope and believe that his books will be read long after many other popular and critically applauded novelists of this age have been forgotten.

3 of 3 people found the following review helpful.
Dream is over
By Lenin
Sequel to "Billy Liar".Billy Fisher, about 15 years older, still hasn't reached London. He is married(has a mistress too), works in City Council in some town similar to Stradhoughton and still lives in his own world of dreams. From person who appeared in "Billy Liar" only his mother is present.

After a series of crazy episodes Billy, whose wife is expecting a child finally decides to grow up.

Keith Waterhouse shouldn't have written this sequel.

First, as usual with sequels, it isn't as good as first part.

Second, a character like this is not convincing while growing up. Can you imagine a sequel to "Catcher in the Rye" with Holden Caulfield growing up? The same with Billy Fisher. He should have been left in Stradhoughton or/and in Ambrosia.

It doesn't mean that "Billy Liar on the Moon" is bad. It's still very good and worth reading although as I said earlier not as good as "Billy Liar". So 4 stars instead of 5.

0 of 0 people found the following review helpful.
Still from the perspective of the era of out sourcing and prejudice against older workers (rampant in Australia) its better than
By Nicholas Triggs
Billy Liar has still not grown up - and he stuffs up big time. He ends up loosing an interesting job and ends up in a dead end clerical position. Still from the perspective of the era of out sourcing and prejudice against older workers (rampant in Australia) its better than a poke in the eye with a sharp stick!

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The picture of Dorian Gray, by Oscar Wilde

This is the classic story of Dorian Gray, beautiful and narcissistic, who sells himself for eternal beauty and youth, while his portrait changes with time, reflecting his aging and the evil in his soul. Intellectual snobbery, cynicism, irony, class differences, and philosophizing 'youth is the only thing worth having' are all explored in this rather dark novel, which is lightened with some witty dialog. Accomplished British stage, television, and movie actor Greg Wise's wonderful interpretation of the story subtly voices the characters and varies the tempo and mood so that even the lengthy descriptive passages come alive. And the musical interludes here are appropriate and pleasant. Adults who are familiar with the story will love Wise's performance...

  • Sales Rank: #2582308 in eBooks
  • Published on: 2015-02-08
  • Released on: 2015-02-08
  • Format: Kindle eBook

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0 of 0 people found the following review helpful.
Who wants to look young forever?
By Bernie
At first Dorian does not realize his wishes been granted. He falls in love with a beautiful young actress who is every woman that Shakespeare ever wrote about. But once again due to Lord Henry's influence, he realizes that she's just a common girl.

Starting with absent-minded acts Dorian slowly sinks into debauchery. And with every new act his picture becomes more grotesque while Dorian stays is young and as innocent looking as the day his picture was painted.
What will become of Dorian?
What will become of Dorian's painting?
What would you do if you were Dorian?

Oscar Wilde paints a picture himself as he describes Dorian Gray's dilemma. And we as readers travel with Dorian as each decision is made. In some places in the story Oscar Wilde seems to drag on and on with detail; however we find that this detail is necessary to set the next scene.

Oscar Wilde himself led a risky life that lead to a jail sentence; is attitudes can be seen in the dialogues in this book.

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